From Publishers Weekly
Modern Manhattan is a miracle in many ways, but all of its imports, commuters included, must traverse at least one river to get there. In 1900, the New York Central, owned by the Vanderbilts, already gave Manhattan a northern connection over the narrow Harlem River. A southern connection over the mile-wide Hudson would be a whole different story. Alexander Cassatt, president of the Pennsylvania Railroad, was the visionary on the project. But how to do it? A bridge plan fell through due to expense; a tunnel would lack the oxygen needed for steam engines. The breakthrough lay in the cutting-edge electrified locomotives developed in Paris. Historian Jonnes (
Empires of Light), demonstrating impressive immersion in the Gilded Age, ably spins the tale, which bears some similarities to
The Devil in the White City. This is a vivid story of hardball Tammany Hall maneuvering and mind-boggling engineering. Once construction began, the two-track narrative settles on the daunting construction of the tunnels and Charles McKim's much-admired design of the terminus at Pennsylvania Station, prized by New Yorkers only after its ill-considered demise in 1963. Jonnes can claim an important addition to the popular literature of how New York became the archetype of a great American metropolis.
(Apr. 23)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
Commemorated in many a rueful history book after "barbarians" demolished it in the 1960s, New York City's Pennsylvania Station was the visible manifestation of a titanic subterranean project. Its sweeping story, involving engineering challenges, an inflexibly honest corporation leader, flexibly corrupt politicians, and street-level sociology, comes together marvelously in Jonnes' admiring history of the undertaking. It arose from the Pennsylvania Railroad's determination to run its trains directly into Manhattan; in the 1890s, Penn passengers had to alight in New Jersey and board ferries, a scene Jonnes evokes with an excerpt of Penn president Alexander Cassatt's experience of the inconvenience. The main impetus to the enterprise, Cassatt, operating in an era of lightly regulated capitalism, wielded substantial power, and his decisions structure Jonnes' narrative. Cassatt's siting of the station in the city's notorious den of iniquity, the Tenderloin, introduces the outstretched palms of Tammany Hall, while his taste for the classical aesthetic introduces Charles McKim's design of the station. Equally interesting on the technical hazards of the tunnel work, Jonnes has produced an exemplary construction epic.
Gilbert TaylorCopyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.
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