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Home » History » Download Live From New York: An Uncensored History of Saturday Night Live, as Told By Its Stars, Writers and Guests

Download Live From New York: An Uncensored History of Saturday Night Live, as Told By Its Stars, Writers and Guests

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History
Sunday, April 15, 2012

Live From New York: An Uncensored History of Saturday Night Live, as Told By Its Stars, Writers and Guests

Author: Visit Amazon's Tom Shales Page | Language: English | ISBN: 0316735655 | Format: EPUB

Live From New York: An Uncensored History of Saturday Night Live, as Told By Its Stars, Writers and Guests Description

From Publishers Weekly

This oral history of NBC's Saturday Night Live is the juiciest treasure trove of backstage gossip, sex and drugs since The Andy Warhol Diaries. With almost three decades' worth of memories from cast members, celebrity hosts, writers, crew and network execs, readers get first-hand reports (often contradictory) on the volatile, competitive, grueling and often drug-fueled process of creating a weekly, 90-minute, live comedy show. While the cast and writers changed over the decades there were two constants: the universal loathing of guest host Chevy Chase and the power of producer Lorne Michaels ("I think he picked the right profession," assesses Jane Curtin, "because he gets to lord over people who want to kneel at his feet and he doesn't acknowledge them-which makes them work harder."). Regulars like Dan Aykroyd, Adam Sandler, Chris Rock, Mike Myers, Billy Crystal, Bill Murray, Al Franken, Martin Short as well as guest hosts like Tom Hanks, Penny Marshall, Alec Baldwin, Carrie Fisher, Lily Tomlin and Steve Martin contribute sterling anecdotes that are alternately hilarious, touching, upbeat and scathing. With the exception of Eddie Murphy (who's positively portrayed), virtually the only missing voices are of those who have passed away (the editors use only interviews conducted for the book and not vintage interviews with John Belushi, Gilda Radner, Phil Hartman or Chris Farley). Scandals, infighting and plenty of showbiz dirt make this a guilty-pleasure page-turner from start to finish. Photos not seen by PW.
Copyright 2002 Reed Business Information, Inc.
--This text refers to the






Hardcover
edition.

From Library Journal

Given access by Lorne Michaels himself, two journalists with TV connections Miller has produced two TV series, Shales is TV critic for the Washington Post recount this show's 25-year history.
Copyright 2001 Reed Business Information, Inc.
--This text refers to the






Hardcover
edition.
See all Editorial Reviews
  • Product Details
  • Table of Contents
  • Reviews
  • Paperback: 656 pages
  • Publisher: Back Bay Books; Reprint edition (October 1, 2003)
  • Language: English
  • ISBN-10: 0316735655
  • ISBN-13: 978-0316735650
  • Product Dimensions: 8.2 x 5.6 x 1.8 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
I can't say I hated the book. I kept coming back to it willingly enough, and finished it relatively quickly. My problems with it come not from the bulk of the material itself (interviews with cast, hosts, producers, directors, and writers, cut into segments organized into some rough similiarities of topic), but from what the writers have done with it.

When you have a book consisting largely of interview snippets, what you have is a cross-section of opinions. Some of those opinions may have a greater amount of concensus behind them than others. Better writers could have done real research to qualify or confirm the statements made by the interview subjects: was Doumanian's budget actually cut from the first years of the show? If so, by as much as she claims? Where did the cuts hit the most? What were the actual box office numbers of Belushi's and Murphy's movies? Have they taken later rentals and tv showings into account in saying who was more successful? Was Nora Dunn as unsuccessful after leaving the show as her resentful colleagues would like to think? (A quick look at imdb.com suggests not...)

Apart from the failure to provide factual context, the writers show their own prejudices in ways that can't help to be annoying and occasionally disturbing. The bridge and introduction segments are full of the usual kind of biography hyperbole better writers avoid. SNL "helped bestow upon the comedy elite the hip-mythic status that rock stars had long enjoyed." "An audience that expected to see fresh new Gildas, Belushis... refused to settle for the paltry replacements that initially dominated Doumanian's cast." "[Belushi's death] told his friends at Saturday Night Live not only that John was mortal, but that they were too.

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